Tag Archives: macosx

iMovie 09 – beyond the basics

A lot of the iMovie 09 reviews I’ve seen on YouTube have been pretty much “standard” coverage of the basic new features. I’ve been using it for a while now and put together a number of different videos with it… along the way, I’ve found a couple of handy tricks like how to incorporate on-screen logos or information, or how to zoom into a map. Interested? Take a look at my screencast.

(I would have posted this on YouTube as well, but need to re-edit it first as there’s a 10 minute length limit!)

Oh, and another really interesting resource if you want to get more out of iMovie 09 is the Unlocking iMovie 09 blog – some great material over there!

The Flip Mino in the UK

Regular readers will know that one of the things that I’ve been getting more into this year is video editing (see the page that I’ve just added as a teaser for things to come in 2009). This has been driven by the increasing ease-of-use of online services, the capabilities of the machines and software I have, and the gadgets I’ve been playing around with. In January I looked at a cheap USB video camera, and since then I’ve had even nicer toys to look at :-)

Interview

Back in October I was invited to talk to the EMEA President of Flip Video, Ray Sangster, at the press launch of the Flip Mino in London. I imagined at the time that my earlier blog posts about this category of devices was at least partly responsible for the invitation.

Before the visit I’d canvassed some questions from my friends on Twitter, and I had some ideas and thoughts of my own that I wanted to discuss. For instance, why bother with a USB camcorder like a Flip when mobile phones are increasingly able to record video and connect to the Internet? Why are the Flip cameras later coming to Europe (typically several months behind the US launch?). Would the Flip cameras get external mics, or other accessories to make them more useful to journalists?

Ray kicked off the conversation by showing me some sample video made by college students in the US… and immediately also pointed out that the target audience for the camera is primarily the 14-25 age group who use the web more than TV, and also particularly with the Mino (which is slimmer and sleeker than the previous Flip Ultra) more slanted towards women, who capture “memories” more than “video for editing”.

The answer to my core question around the value of the device compared to, say, a mobile phone was a great one – Ray offered me his phone and suggested that I try to find the controls for recording video. It’s true that right now, it is relatively difficult to do that (and impossible on the iPhone, which still doesn’t support video, or have a decent resolution)… The very simplicity of the Flip is the selling point. It is reflected in the design of the hardware (big lens, big record button, flip-out USB connection, that’s about it!) and the use of the software, which I’ll talk about in a moment.

The time-delay on release was put down to the time needed to convert to European standards and languages, which is fair… although I remember when the original Flip came out, I got very frustrated waiting for the UK release. It would be great if they could reduce that window for future models.

The accessories include tripod, underwater casing (for the Ultra… I’ve not seen that for a Mino yet but I’ve not looked hard)… but it doesn’t seem likely to me that items such an external microphone are coming along, given the focus on simplicity and the consumer market.

I was interested to learn that the Mino is being used, in the words of the PR company, “from the catwalks to Kandahar” – they are being used to record fashion shows from people like Stella McCartney, and covering war stories in Afghanistan for upload back to the UK over a telephone modem.

A very enjoyable afternoon!

Hands-on

The Flip Mino itself is delivered in a smart box reminiscent of Apple packaging (particularly that of the iPhone). You get the camera, a soft carrying pouch, and that is it – all you need to get going.

You get a simple camera with no batteries to fiddle around with. It’s a fixed 2Gb capacity (60 minutes recording time), unlike some other devices on the market which can support additional storage like SD cards. You record your clips, plug in to a computer, and the software can upload directly to YouTube and MySpace… I was somewhat surprised that it doesn’t support other services like Viddler and Facebook too, given their growing popularity.

If you’re curious to see what I thought of the hardware and the Mac software, take a look at the short clip below.

A number of small things bother me about the Mac support for the Mino, some of which I mention in the video. Firstly, I notice that the software is PowerPC and therefore runs in Rosetta on an Intel Mac – why not ship a Universal binary? It doesn’t support logging in to YouTube with a Google ID (iMovie 08 does). The Save to Album option puts the videos into [homedir]/Documents/My Flip Video Library – which seems strange – why not use the Movies folder, or just use drag-and-drop on a Mac to copy the movies straight off the USB drive (which is actually what I ended up doing, and editing with iMovie). Generally, I’m left thinking that they could have done a better job of the Mac support. It works with OS X though, and that’s a step forward from previous models.

I also took the camera out with me on a weekend break with friends in November. It was a good opportunity to see how it performed outdoors, and also to see what others in the target age group thought about it. Here’s a chance to see what kind of audio and sound quality you get.

As for opinions: generally, friends were commenting that the screen was too small, and shared my impression that phones are moving into the same space, so many were doubtful that they would buy one… but they also don’t make many videos at the moment anyway. In all honesty, their reactions were not strongly positive.

By the way, you can also see those videos on my YouTube channel, along with some other examples of footage shot with the Mino.

So where is the “but”?

So far I’m probably sounding reasonably positive, and the fact is that I do like the Mino, despite the faults I’ve observed. It’s small, convenient, and “good enough” in most respects. My issues with it are that I think it’s somewhat expensive given the competition from alternatives like the bulkier and AA-battery-driven, but 720p-capable Kodak Zi6 HD; and that right around the corner are some other rather nice-looking HD devices. DSLRs are also increasingly getting HD video recording capabilities, so the market space for these devices is potentially narrowing. That said, there will always be something better on the horizon!

My overall feeling is that if you want a simple, straightforward video camera that is easy to use, portable and “good enough” then absolutely, check out the Flip Mino. And if you don’t want my opinion, then Scoble reckons the Flip was the best gadget he “stole” in 2008… although commenters on his post also note that the Kodak is a contender. You can also take a look at Julia Roy’s video review.

Available from Amazon in black or white (which, weirdly, is slightly cheaper!)

Snapping web pages – LittleSnapper

I’ve written before about a little app I utterly love on the Mac called Skitch. It’s a really nice tool for taking and annotating screenshots, and I often use it to add an image to my blog posts, or simply to record interesting events in my gallery.

So what if you need to make images of web pages? I’m fairly certain that my new favourite application is going to be LittleSnapper, from my friends at Realmac Software. It looks simple, and gorgeous. They recently posted a demo of some of the features on their blog.

Incidentally, although I’ve not had any cause to use their RapidWeaver software before, I’ve had it demonstrated to me and it also looks like a fantastic tool if you are into web design. I think LittleSnapper is going to be the product that gets me on the hook, though :-)

disclaimer: I know one of the guys from Realmac, but I’ve chosen to post this independently, and the opinions here are firmly my own

Today, I (hope I) helped people

Today, I…

This is what I do. Most days, it is good fun. Some days, it is a little full on.

Gadgets part 3: Eye-Fi

Here’s something I’ve wanted to get my hands on for a while now… an Eye-Fi SD card. If you don’t know about these things, essentially they are standard 2Gb SD cards that fit into any camera that will take the format (or others, with e.g. a Compact Flash/SD adapter). The good part is that they make the camera wireless-capable….

Pull the tab!

So I picked up my Eye-Fi card and the first thing that I noticed was the cool packaging… pull on the tab on the right-hand side of the box, and the box slides out to the left, revealing a USB dongle and the card already inserted. You need the dongle, because you need to use the computer to configure the card.

Once I plugged the dongle into the machine, an Eye-Fi item appeared on the desktop… it was pretty simple to just install the Mac software. Once I’d done that, I hit a small snag… I got a message about the Eye-Fi Manager software being unable to initalise the card. I tried running the Eye-Fi Manager a few times, but the same thing happened… until I took the dongle out of the USB port on the right-hand side of my machine, and plugged it back in on the left. That time, I got a set of dialogs enabling me to register an account. Not sure what happened there!

Eye-Fi error

Actually this seems to be an issue on my MacBook Pro… for some reason the Eye-Fi Manager software will never “initialize” the card when the dongle is plugged in on the right of the machine (although it still shows up as a mass storage device, and Lightroom sees it and offers to import images from it). Worked fine over on the left, but then the dongle is a bit too wide to enable the Magsafe power plug to be connected at the same time. Actually it seems a little random, unfortunately. I raised a problem with Eye-Fi support and they basically talked me through steps for checking that nothing else is using the port, plugging and replugging – nothing specifically useful. YMMV.

Card and card reader

Right, so here’s how this thing works. You start the Eye-Fi Manager software, which opens a web page to configure the card. Here, you can add wireless network details (it supports a whole range of network settings including WEP and WPA keys), rename the card if you want, and configure a huge variety of online services. I have configured mine for Flickr… but the software supports Facebook, SmugMug, WebShots, SnapFish, Picasa, Photobucket… and a gazillion others that I’ve not heard of before (oddly, Movable Type, Vox and Live Spaces, but not WordPress – hmm!). Once you’ve done that, you put the card in the camera, and it will automatically connect to the network and start uploading shots any time you take them.

EyeFiUpload

What appears to happen, is this: the camera uploads to Eye-Fi’s site, which then transfers to your chosen / configured photo service. The next time the Eye-Fi Manager sees the Eye-Fi site, it then mirrors the photos to the local disk (you can specify a location in the Eye-Fi Manager). I’m not 100% certain that this is how it works, but that’s what I’ve observed.

So now what about the downsides to this? Well for starters, the only supported file format is JPG. That’s OK, but of course Flickr now supports video too, for instance. Oh, and by the way, this is going to upload all your photos, anytime you take any, so I’ve set the default privacy option to private for Flickr uploads so I can review and tag etc. before publishing. The photos are obviously not titled or anything when the Eye-Fi uploads them, and they get a simple tag “Eye-Fi” set, but that’s all. So you will want to go and change title, tags, description, potentially rotate and so on once the image has been uploaded. Now that Flickr has Picnik integration, you can of course do some simple editing later as well. This does all bypass my “standard” photo workflow of Lightroom import, catalog, edit, and then upload, though.

One thing that the Eye-Fi does not support is wireless networks with certificates. Other than that, Open, WEP, WPA/WPA2 are all OK. It’s only going to work with networks it knows about, too (although you can configure more than one) – there’s no UI on the camera for configuring the card, you have to use the Eye-Fi Manager software while the dongle is plugged in to the camera.

Also, because there’s no UI on the camera side, there’s no visual indication as to what is happening… the Eye-Fi will silently upload your shots, and there’s actually no way of knowing that it is doing it, or when it has finished doing it. Of course it would be amazingly difficult for this to integrate with every camera if the makers had tried to build the Eye-Fi into the camera’s user interface, so I understand why this is the case – it’s just a little bit disconcerting! One nice feature is that there appears to be support for “interrupted” uploads, I see there’s a “Receive interrupted” comment in the Eye-Fi manager UI, so I think it will support partial upload and then resume.

Overall, it’s a neat idea, and certainly pretty cool for quick shoot-and-upload scenarios. Of course I often want to catalog my shots and touch-up on the computer first, but I can see cases where this could be really cool. Very handy for conferences etc. (oh, and that USB dongle can act as a reader for any SD card, too – handy). A qualified thumbs-up!

Here’s a link to a nice review, and here’s some news about the new models coming soon.

(post updated 14th May 2008 – a couple of additional details about workflow, the card initialization error, and the screenshot of the local machine import was added)